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 The Problem Most Musicians Face
Musicians are often shocked when they realize they literally have NO PITCH RECOGNITION.
It's odd because, as musicians, we work with musical tones constantly. Isn't it strange that so few have trained their ears to name exact tones and chords — by EAR?
Imagine: What if Michelangelo could not see the colors in his paintings? Would that have impacted his art?
It's the same for any musician. How can you be fully creative in music if you can't even tell a B-flat from an F-sharp — by EAR?
The truth is that most musicians have had very little ear training, and many do not have any clue what is happening within their music.
Fortunately, there is a truly amazing solution to these pitch problems . . .
With just a few ear-opening instructions, we bet YOU will begin to name tones and chords — ALL BY EAR — regardless of your current ability level.
How?
The Solution:
Open
Your Natural Ear for Music
with Perfect Pitch and Relative Pitch
1. Perfect Pitch
Name and sing any pitch — by EAR
Somewhere — deep inside — you have a natural talent for Perfect Pitch (also known as Absolute Pitch). But — like most musicians — you may not have taken the time to discover it.
Skeptical?
Fine, we'll prove it to you. We'll show you how you can experience your own Perfect Pitch — with your own ears!
2. Relative Pitch
Understand and speak the language of music — by EAR
Your command of the musical language is called Relative Pitch. Learning the language of music is similar to learning your own native language. We'll get to this shortly.
But first things first ... Let's start with Perfect Pitch.
What exactly is "Perfect Pitch"?
     
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After
just a few minutes of your instructions, I could
locate an F# by ear — even when it was hidden in
a group of several tones!
G.B., synthesizer 
10 
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